The Joup Friday Album: R. Stevie Moore – ‘Phonography’

RSM_Phonography_20large2_original

Down the back of the couch is the savings account you never knew about. I came to a realisation about 8 years ago that it wasn’t that music had suddenly dulled, but that I was stultified by a lot of new things I was hearing by having accrued a callous on my amiability from having studied too much. After having discovered artist after artist that the destiny of your inception dictates you miss, you realise that there’s more than enough music created before you were born to keep you busy until you die. I went through a period of hearing new bands and being able to tell exactly what they had schooled themselves on, and found it all a paltry cap-doff to incandescent predecessors before remembering instances in which respected elders had dismissed the bands that propelled my obsession as being derivative of other untouchables and realised it’s all relative and subjective and you should get on with indulging in what you love.

Endless Loop: A Day in the Life

beatlesHave you ever had one of those songs that gets stuck in your head for days…weeks…years? Sure you have. These are the songs that always make the cut. The songs on repeat. We all have them. I have a ton. Welcome back to Endless Loop.

“A Day in the Life” by The Beatles

I’m going to do my very best not to come off deliberately and irritatingly contrarian here. It’s probably going to take some effort, but here we go. The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band is an overrated album. There. I said it. Now let’s let that sink in for just a second or two. Okay. Have you recovered? Please allow me to explain.

The Joup Friday Album: Syd Barrett – The Madcap Laughs

Sydbarrett-madcaplaughsHey kids, did you know that if you start playing ‘Dark Side of the Moon’ after the MGM lion growls at some off-screen heel that probably just flicked a filterless cigarette in his mane to make him react at the beginning of The Wizard of Oz, and smoke some pot, that it’s a moderately diverting expenditure of 43 minutes and 17 seconds? It’s awesome because the most ill-fitting song on the album, ‘Money’, kind of almost exactly starts within the five second period of time in which Dorothy opens the door on the Technicolor Munchkin village, not only that, the album climaxes with the showstopping Omega of ‘Eclipse’ while the Tin Man is getting his long overdue oiling – before the Cowardly Lion has even been introduced, let alone the narcotic associations of the narcoleptic poppy field or the psychedelics of the Emerald City itself.

The Joup Friday Album: Emitt Rhodes

Emitt-Rhodes-Emitt-Rhodes-383053At 64, nobody needs or feeds Emitt Rhodes, whose legacy is unfairly aswim in comparisons to Mr McCartney. In this age of archeological appreciation for overlooked artists, Emitt Rhodes has come agonisingly close to being paid his long overdues but unfortunately fallen short at every opportunity. From inclusion on the soundtrack to Wes Anderson’s ‘The Royal Tenenbaums’ to being the focus of a documentary dedicated to his unjustified obscurity and aimed at setting the record straight, 5 years have passed since it’s plaudit winning appearances at independent film festivals – the stars periodically align but fail to influence a wave of reappraisal.

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