The Joup Friday Album: R. Stevie Moore – ‘Phonography’

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Down the back of the couch is the savings account you never knew about. I came to a realisation about 8 years ago that it wasn’t that music had suddenly dulled, but that I was stultified by a lot of new things I was hearing by having accrued a callous on my amiability from having studied too much. After having discovered artist after artist that the destiny of your inception dictates you miss, you realise that there’s more than enough music created before you were born to keep you busy until you die. I went through a period of hearing new bands and being able to tell exactly what they had schooled themselves on, and found it all a paltry cap-doff to incandescent predecessors before remembering instances in which respected elders had dismissed the bands that propelled my obsession as being derivative of other untouchables and realised it’s all relative and subjective and you should get on with indulging in what you love.

The Joup Friday Album: Dennis Wilson – Pacific Ocean Blue

denniswilsonI don’t know about the rest of you, but when I was growing up, and gradually discovering music of all kinds to wiggle around to, one of the few bands that got the full fledged seal of approval from both my parents and us kiddos alike was the sunny, surf-pop rock sounds of The Beach Boys. They were catchy, and fun, and even popped up on Full House with Uncle-fucking-Jesse on the drums. Good, old-fashioned, wholesome rock and roll. Or maybe not.

The Joup Friday Album: Emitt Rhodes

Emitt-Rhodes-Emitt-Rhodes-383053At 64, nobody needs or feeds Emitt Rhodes, whose legacy is unfairly aswim in comparisons to Mr McCartney. In this age of archeological appreciation for overlooked artists, Emitt Rhodes has come agonisingly close to being paid his long overdues but unfortunately fallen short at every opportunity. From inclusion on the soundtrack to Wes Anderson’s ‘The Royal Tenenbaums’ to being the focus of a documentary dedicated to his unjustified obscurity and aimed at setting the record straight, 5 years have passed since it’s plaudit winning appearances at independent film festivals – the stars periodically align but fail to influence a wave of reappraisal.

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