The Joup Friday Album: MC5 – Kick out the Jams

MC5 - Kick Out the JamsThe Cabaret Metro in Wrigleyville neighborhood of Chicago (well known as just the Metro now) has hosted a great number of stellar acts since 1982. Some of which I have witnessed, and most of them were with our group “The Fish Guys.” Brown and Crosse and Sonny frequented multiple times with me to see a number of acts like Jon Spencer’s Blues Explosion, The Jesus Lizard and The Reverend Horton Heat. The Metro holds about 1100 people. So it’s a larger venue in the city but by no means as massive as say the Aragon Ballroom. And it can get loud…really loud. I remember that from JSBX show…just piercing but somehow cathartic.
That was not the case this past Wednesday when the four of us took in the reincarnation of the MC5 headed by guitarist Wayne Kramer under the guise of the MC50. While it rocked for certain, the sound in the Metro that evening was well, perfect.
Krammer is one of two original members of the MC5 still kicking and has toured as the MC5 in various lineups for good part of the past 15 years. The original MC5 were together until 1973 releasing 3 major label LPs. Then a 20 year hiatus and a reformation of the group in 1993 for a tribute to late singer Rob Tyner. In 2003 Kramer took to the road again and gigged with his two other original band mates Michael Davis on bass and Dennis Thompson on drums. They gigged with supporting members until 2012. This past year Kramer recruited Kim Thayil (Soundgarden) on second guitar, Billy Gould (Faith No More) on bass, Brendan Canty (Fugazi) on drums and front man extraordinaire Mark Durant (Zen Guerilla) to celebrate 50 years of Kicking out the Jams.

Endless Loop: Funeral for a Friend (Love Lies Bleeding)

eltonjohnHave you ever had one of those songs that gets stuck in your head for days…weeks…years? Sure you have. These are the songs that always make the cut. The songs on repeat. We all have them. I have a ton. Welcome back to Endless Loop.

“Funeral for a Friend (Love Lies Bleeding)” by Elton John

New Music Enthusiast’s Club: goste

goste Eugene EP Covergoste – Eugene

A swirl of plunked synthesizer keys and distorted computer noises ooze and crash like cold, slowly moving tectonic plates, glaciers pushing against each other until the ice begins to crack, immovable giants locked in eternal conflict. Cold electronics. Icy beats. And a low and warm voice comes into play, slightly askew, slightly warbled, a protoplasmic element to warm this cold and frost laden mix. “Volcanoes (Slow Fade)” opens up the Eugene EP, the latest record from Brooklyn composer, producer, multi-instrumentalist, and electronic artist goste, and it sets the tone for what’s to come, a blending of the synthetic and the organic, a subtle and flowing mix of hot and cold sounds…digital folk…computerized Americana.

35 Albums in 35 Years: 1985

In an ongoing attempt to bleed my opinions all over your computer screen, I’m selecting one album from every year that I’ve been alive that has some sort of significance to me…and then writing about it.  Welcome back to 35 Albums in 35 Years.

 

tomwaits1985: Tom Waits’ Rain Dogs

Some years seem to generate so many more albums that hold special places in my heart than others.  It becomes a challenge to not only pick one to write about, but to even narrow the number down to a manageable level to begin with.  1985 is one of those years.  I kind of agonized over which record to choose.  In the end though, there was really only one direction to go in.

The Phenomenom of The 1975 & Concert Review @ The Rave, Milwaukee, WI

Preshow portal of The 1975 (photo: joe grez/sesame)

Preshow portal of The 1975 (photo: joe grez/sesame)

Translate