Thee Comic Column #140: The Children’s Vampire Hunting Brigade

CVHB1_FrontCover-680x1024

Vampires are, at this point in human history, archetypal monsters that are as important to our modern psyches as almost any of the creatures that populated the folklore of the various ancestral lands that made up the world when it was a much simpler place. As humanity has branched and evolved so to have the needs within us that our ‘boogey men’ serve, and as such our monsters wear many hats, perhaps none more so than Vampires. Our eternal, bloodsucking brethren have been romantic, brutal, viral, pretty, considerate, comical and apocalyptic. For myself, while I’m always interested in new takes on old ideas, of late the simpler the approach to Vampires the better. Twilight and Sukie Stackhouse have, in my opinion, overly domesticated the Vampire, and as such anything that strips them of that, ahem, sparkly sheen is welcome. While admittedly I spent the early 90s enthralled by Anne Rice’s lush visions of her Nosferatu, the candlelight-and-leather approach is what the Cullens evolved from and thus have, for now, run its course. Today, if I’m going to be interested in Vampires at all it has to be a more visceral experience.

Thee Comic Column #128: Let’s Talk About Joss Whedon’s Avengers

Avengers-Age-of-Ultron-PosterWell, I suppose it’s a bit of a no-brainer that I would be writing about Avengers: Age of Ultron today as pretty much any card-carrying geek on the interwebs is sure to feel the call to do so. That said, I want to talk about something beside plot points or how great everybody’s performances were; the effects; and juxtapositions between this and the Brian Michael Bendis comic story by the same name which just so happens to be VERY different. No, I don’t want to talk about any of that. What I really want to talk about is how Joss Whedon essentially brought a Chris Claremont comic from the 80s to life.

The Horror Movie Work Week #4

Translate