New Music Enthusiast’s Club: goste

goste Eugene EP Covergoste – Eugene

A swirl of plunked synthesizer keys and distorted computer noises ooze and crash like cold, slowly moving tectonic plates, glaciers pushing against each other until the ice begins to crack, immovable giants locked in eternal conflict. Cold electronics. Icy beats. And a low and warm voice comes into play, slightly askew, slightly warbled, a protoplasmic element to warm this cold and frost laden mix. “Volcanoes (Slow Fade)” opens up the Eugene EP, the latest record from Brooklyn composer, producer, multi-instrumentalist, and electronic artist goste, and it sets the tone for what’s to come, a blending of the synthetic and the organic, a subtle and flowing mix of hot and cold sounds…digital folk…computerized Americana.

The Joup Friday Album: Slowdive – Pygmalion

slowdiveShoegaze is back!  So let’s talk about a legendary shoegaze act’s least stereotypically shoegazey album, an oddity amongst the band’s catalog, and one that led to them being dropped by their record label.

New Music Enthusiast’s Club: i am Love

i am Love.coverarti am Love – i am Love

Think of all the kids you grew up with.  The ones taking music lessons after school.  The kids tinkering away on the piano, practicing their recitals.  The kids spending their afternoons learning the cello, or the violin, or the trumpet.  The band dorks.  The punk brats making a ruckus in their parents’ garages, banging and strumming away on their beginner’s drum kits and electric guitars.  The younger brothers and sisters rifling through their older siblings’ record collections and singing along in their bedrooms.  Think of those kids gathering together to create music, a circus folk rock troupe with flashes of Americana, post-punk, classic rock, new wave, and the Avant Garde all playing harmoniously like a choir of art school misfits.  A saxophone here.  A viola there.  A grand aural collage of different sounds, textures, instruments, and influences.  How glorious it must be.  And so we have the self-titled debut album from Philadelphia’s i am Love, a collection of pop songs created by a vast array of instrumentation and open, bleeding hearts.

35 Albums in 35 Years: 2011

In an ongoing attempt to bleed my opinions all over your computer screen, I’m selecting one album from every year that I’ve been alive that has some sort of significance to me…and then writing about it. Welcome back to 35 Albums in 35 Years.

 

hank32011: Hank Williams III’s Ghost to a Ghost/Guttertown

The Joup Friday Album: Leonard Cohen – Death of a Ladies’ Man

leonardcohenSomewhat embarrassingly, I did not discover Leonard Cohen until I heard “Waiting for the Miracle” during the opening scene of Oliver Stone’s Natural Born Killers, and as much as I dug that movie, I was entranced by the soundtrack (compiled, assembled, and produced by Trent Reznor) and the two Cohen tunes in particular. The journey down the proverbial rabbit hole started from there. Over the next couple of years, I began to find Leonard Cohen’s music all over the peripheries of pop culture, be it Jeff Buckley’s stripped down and beautiful take on “Hallelujah,” or the soundtrack to Robert Altman’s McCabe and Mrs. Miller, or as an almost direct lyrical influence on Nick Cave. He was everywhere if you looked hard enough. It was wonderful, and I now consider myself a disciple.

Joup’s Friday Album: Olivia Tremor Control – Black Foliage: Animation Music Volume 1

oliviatremorcontrolblackfoliageTrying to cram as much music into my brain as i can muster over this week, so I’m just going to have to eek this one out as quickly as possible.  In 1998 I had brief, but pretty awesome stint as a deejay at a college radio station, KVRX 91.7 at UT Austin.  Among the hordes and scores of bands, artists, and music that I was exposed to during that time, one of my very favorites was Olivia Tremor Control, a group of kids from Louisiana (which happens to be where I’m from) who were a part of the famed Elephant 6 collective, a large group of bands including Neutral Milk Hotel and The Apples in Stereo and many, many others.  All of the bands involved pull from various influences, most notably 1960’s pop, psych, and folk.  In so many ways Elephant 6 just took what The Beatles started 50 years ago and ran with it.

35 Albums in 35 Years: 1985

In an ongoing attempt to bleed my opinions all over your computer screen, I’m selecting one album from every year that I’ve been alive that has some sort of significance to me…and then writing about it.  Welcome back to 35 Albums in 35 Years.

 

tomwaits1985: Tom Waits’ Rain Dogs

Some years seem to generate so many more albums that hold special places in my heart than others.  It becomes a challenge to not only pick one to write about, but to even narrow the number down to a manageable level to begin with.  1985 is one of those years.  I kind of agonized over which record to choose.  In the end though, there was really only one direction to go in.

2 of 212

Translate