So I intercepted that last tag…because well…maybe I just needed to and all the signs pointed that way. Sometimes life throws a few things at you and you probably know what I mean in your own way. Change, sadness, uncertainty, self-examination. Dodge, push, move, repeat. But move…move on and try your damnedest to look back in fondness or at least without anger. Live now. Evolve. This version of 1989 was suggested by a friend and I was a bit skeptic, but knowing Ryan Adams and his outstanding catalogue I had to give this a listen. I will fully admit I cannot boast of being a Taylor Swift aficionado thus I’d not heard any of 1989 with the exception of the singles like “Shake it Off” and “Bad Blood.” And at the point of this writing, I’ve still not. I prefer it that way, I feel I can be more objective rather then comparing the two works. I do fully recognize Swift as the primary songwriter and lyricist for these songs, thus critique of any lyrics would be directed that way. I will say she is talented. More talented then my original perception of her abilities. Which goes to show you…
Maybe this is all down to Lemmy. So impervious was he for so long, that Death was fended off, expending all his efforts and ingenuity trying to bring the man down. This most prized scalp finally secured, the Reaper was free to run amok, indiscriminately scything down anyone of any cultural significance, resulting in this Celebritygeddon we’ve been suffering since Christmas.
More and more frequently I find myself wondering whether the world has always been this despicable or if I’m just becoming more conscious of it. Concurrent with this feeling is a realisation that our generation is being increasingly more spoilt with a Pop Culture smorgasbord: the Heroes of our youth dominate the Box Office, favourite bands of the past reform and tour, the best TV show of all time revived after a 25 year hiatus, Comic-Con has gone supernova. One of the few gifts of being a dentally challenged, pallid skinned Brit is an ever healthy cynicism possibly attributable to being of an island nation still living on a pension from a highly questionable Imperial legacy, which during the best of times enables many of us to take a dim view of anything that on the surface seems too good to be true. Back in my teens when I thought ‘The X Files’ was giving me a window into the clandestine machinations of the world’s superpowers my dad calmly and succinctly cut through my teenage distrust of his adulthood by putting it to me ‘hypothetically’ that THEY would love it if we were ‘watching the skies’ rather than paying attention to what was going on in front of our noses.
Well, we tried. After hitting up a yearly cavalcade of free parties, in-stores, shows, and events at SXSW here in Austin for the last decade and a half, we (your fine friends at Joup) thought we would try to get actual credentials, to get in the middle of things, to groove, and to get me square up the ass of this annual Texas music festival/circus/shit-storm. I was ready to cozy up to corporate sponsors. I was ready to meet and interview all the rocking kids out there that make me feel old. I was ready to drink. I was ready to schmooze. Well, we tried.