35 Albums in 35 Years: 2005

In an ongoing attempt to bleed my opinions all over your computer screen, I’m selecting one album from every year that I’ve been alive that has some sort of significance to me…and then writing about it. Welcome back to 35 Albums in 35 Years.

 

lcdsoundsystem2005: LCD Soundsystem’s LCD Soundsystem

Thank God for VOD! – They Came Together

I don’t get to go to the movies as often as I’d like to, but that doesn’t mean I can’t watch awesome flicks at home. Thank God for VOD!

theycametogetherThey Came Together

And just when you thought I was all horror flicks, thrillers, blood and guts, and social commentary, here I come at you with a romantic comedy. A romcom. Or, in this instance, all of the tropes and beats of a romantic comedy completely ripped to pieces and then reassembled with a knowing smile and a wink by a killer ensemble cast and the comedic genius of a bunch of former members of The State*. They Came Together is a romantic comedy, but it’s a hyper-self-aware romantic comedy that bleeds absurdity and goes so far with its poking as to surpass satire. It’s an odd and hilarious film.

35 Albums in 35 Years: 2004

In an ongoing attempt to bleed my opinions all over your computer screen, I’m selecting one album from every year that I’ve been alive that has some sort of significance to me…and then writing about it. Welcome back to 35 Albums in 35 Years.

 

goteam2004: The Go! Team’s Thunder, Lightning, Strike

The Joup Friday Album: Leonard Cohen – Death of a Ladies’ Man

leonardcohenSomewhat embarrassingly, I did not discover Leonard Cohen until I heard “Waiting for the Miracle” during the opening scene of Oliver Stone’s Natural Born Killers, and as much as I dug that movie, I was entranced by the soundtrack (compiled, assembled, and produced by Trent Reznor) and the two Cohen tunes in particular. The journey down the proverbial rabbit hole started from there. Over the next couple of years, I began to find Leonard Cohen’s music all over the peripheries of pop culture, be it Jeff Buckley’s stripped down and beautiful take on “Hallelujah,” or the soundtrack to Robert Altman’s McCabe and Mrs. Miller, or as an almost direct lyrical influence on Nick Cave. He was everywhere if you looked hard enough. It was wonderful, and I now consider myself a disciple.

35 Albums in 35 Years: 2003

In an ongoing attempt to bleed my opinions all over your computer screen, I’m selecting one album from every year that I’ve been alive that has some sort of significance to me…and then writing about it. Welcome back to 35 Albums in 35 Years.

 

wrens2003: The Wrens’ The Meadowlands

35 Albums in 35 Years: 2002

In an ongoing attempt to bleed my opinions all over your computer screen, I’m selecting one album from every year that I’ve been alive that has some sort of significance to me…and then writing about it. Welcome back to 35 Albums in 35 Years.

 

bowieheathten2002: David Bowie’s Heathen

Underrated: Joe Dante’s “The ‘Burbs”

burbs“I want to kill everyone. Satan is good. Satan is our pal.”

Like so many others, I first saw The ‘Burbs, Joe Dante’s brilliant comedic ode to suburban rut and paranoia on cable when I was a kid. To say the movie has stuck to me like some lost, drunken night’s tattoo is to understate its impact. It’s a film I have gone back to time and time again over the last 25 years, be it via a worn and fuzzy VHS copy recorded off of HBO when I was in grade school, or the DVD copy I scored years later. I never grow tired of it. The story, the scenes, the dialog are so engrained within my psyche, that quoting lines from the thing has become a kind of litmus test as to whether or not we can be friends (see also The Monster Squad).

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