Tom Waits Refuses to Ever Become Irrelevant

I don’t know too many musicians that have been in the game for as long as Tom Waits and are able to remain so consistently relevant and great. What’s more Waits constantly tweaks his boneyard orchestra sound to get something new out of it. This may not always fire on every cylinder for me personally – I can’t say that I love everything the man has put out over the years since Rain Dogs (one of my ten favorite records of all time) – there have been some moments where I felt Mr. Waits might have been repeating himself (specifically on 2006’s Orphans: Brawlers, Bawlers and Bastards) HOWEVER, I’m still kind of convinced this is a shortcoming of perception on MY part, not Mr. Waits and crews’.

After 25 years Ween calls it quits

I spent much of the week disconnected from the world at large and after a particularly rough Friday, June 1st I succombed to the medicine of sleep at an uncharacteristically early 8 PM and slept the deep, restorative sleep of the over-worked. When I awoke this morning I logged into the virtual world and toured around my usual sites in an attempt to see what I’d missed over the last several days. It was on one of my favorite of those sites – a marvelous blog entitled Heaven is an Incubator – where I came across the news that one of my all-time favorite bands, Ween, had called it quits.

RIP Adam Yauch aka MCA

Some Thoughts on The Rolling Stones

The Rolling Stones that have toured the world on a seemingly continuous basis since… oh about 1983 are NOT The Rolling Stones.

Well, they are and they aren’t. Let me attempt to explain.

GodSpeed You! Black Emperor Live @ American Music Hall, SF 04/17/12

If you’ve ever read anything about the phenomena known as Synesthesia you might think it is an interesting condition to posses. It is – I’ve had it for as long as I can remember. Of course it was not until a little over ten years ago that I put a name to what I just knew as a really intense relationship with music. Then I began reading about the phenomenon and more and more I found that Synesthesia explained the almost unbelievably visual relationship I tend to have with music. Even more recently I’ve come to theorize that – to my nervous system at least – music is a drug. A drug that I am hopelessly addicted to and that affects my brain in often debilitating ways. A  drug that has served as a gateway to other drugs in seeking to enhance its already amazing effects, and a drug that sometimes prevents me from getting anything constructive accomplished as I space and pine over the sounds spilling out of my speakers or through my headphones.

First Glimpses of New Album by Liars Does Nothing to Dispell Idea They are the Second Coming

I used almost the exact same title back in early 2010 when bizarro New York-cum-Berlin avante garde rock outfit Liars announced their (then) new album Sisterworld for a different website. Sisterworld of course turned out to be just as awesome as I had anticipated it would be (the remix disc not so much, but oh well…). Liars approach their music and image in some pretty profoundly originally and wonderfully strange ways* and nowhere can their oddness be seen more than in the videos that always accompany their tracks**- leading up to that album the band created rabid anticipation with the video for the track Scissors, which I love so much I’ll go ahead and post again here:

Miles Davis: Tutu

Miles Davis. What does that name mean to you? To most folks who are into music it is a name to be revered and reckoned with. Saying that his name may spur one to reflect upon monikers such as legend, master, and virtuoso may be an understatement. Suffice it to say the man helped drive and define jazz for several key decades in its history and is remembered by many as a genius and an innovator.

Innovator.

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