There was a time when every day of my life was Saturday night. Sat on a hand-me-down couch in an attic room of my Dad’s house, my erstwhile friend and I dubbed our enclosure “The Biosphere” because we effectively sustained and spent our worthless lives inside; drawing hangover-antidote water from an old washbasin in the corner that we’d eventually piss it-out down and staving off cabin fever with Super Nintendo games and news broadcasts soundtracked by the CDs of the day under the umbrella of a pot-cloud courtesy of my dealer brother who lived in the room next door. We also dubbed it such because “The Biosphere”, so we kept telling ourselves, was somewhere we were destined to transcend as this album title suggested, taking with us our innate brilliance and earth-shattering discoveries made during our secondment in Inner Space.
Have you ever had one of those songs that gets stuck in your head for days…weeks…years? Sure you have. These are the songs that always make the cut. The songs on repeat. We all have them. I have a ton. Welcome back to Endless Loop.
“Shipbuilding” by Elvis Costello and The Attractions
“Is it worth it?”
For a song that’s about a community that thrives during wartime, an economy built on manufacturing the warships that they will then in turn send their own sons to die on, Elvis Costello and The Attractions’ “Shipbuilding” sure does sound sexy. Gracing 1983’s Punch the Clock, the song sets its potentially gloomy subject matter with a melancholy jazz melody and sheer poetry to craft a veritable work of audio art.
In 1978, there was no bigger band than the Bee Gees. The Brothers Gibb dominated the charts with disco hits such as “Stayin’ Alive” and “Night Fever,” and also contributed amazing songs such as “How Deep Is Your Love,” while Brother Andy charted with “(Love Is) Thicker Than Water” and “Shadow Dancing.” It was also the year that saw John Travolta’s astronomical rise to stardom with lead roles in “Saturday Night Fever” and “Grease,” which spawned the hit single “You’re the One that I Want.” Even the Stones had a hard time catching up to the cultural zeitgeist; “Miss You,” their only real hit in ’78, spent just one week at the top of the Billboard heap.