Endless Loop: Surf Solar

fuckbuttonsHave you ever had one of those songs that gets stuck in your head for days…weeks…years? Sure you have. These are the songs that always make the cut. The songs on repeat. We all have them. I have a ton. Welcome back to Endless Loop.

“Surf Solar” by Fuck Buttons

Endless Loop: Seventeen Years

ratatatHave you ever had one of those songs that gets stuck in your head for days…weeks…years? Sure you have. These are the songs that always make the cut. The songs on repeat. We all have them. I have a ton. Welcome back to Endless Loop.

“Seventeen Years” by Ratatat

“I don’t write my stuff anymore I just kick it from my head you know what I’m sayin?”

The fusion of rock music, dance music, and hip-hop has been pretty prevalent over the last 30 years, producing a whole plethora of instant classics…and some steaming piles of manure that are best forgotten. But when it’s good, it can be damn near great.

The Joup Friday Album: My Life w/ The Thrill Kill Kult – Confessions of a Knife

440px-Confessions_Of_A_Knife..._by_My_Life_With_The_Thrill_Kill_Kult_1990

Note: Katie will answer the call of Chester’s tag next week after she successfully prepares for the coming educational apocalypse set to descend upon the townships of her residence in nary a day or two. In the meantime, Black Philip is always happy to fill in and attempt to corrupt the minds of our readers.

Black Philip, take it away…

….

Thank you Shawn. You know, I never expected this to happen to me, but rather inadvertently I have become known for something of a ‘catch phrase’.

“Wouldst thou like to live deliciously?”

Endless Loop: Shimmy Shimmy Ya

odbHave you ever had one of those songs that gets stuck in your head for days…weeks…years? Sure you have. These are the songs that always make the cut. The songs on repeat. We all have them. I have a ton. Welcome back to Endless Loop.

“Shimmy Shimmy Ya” by Ol’ Dirty Bastard

The Joup Friday Abum: Silver Jews – American Water

 

Motivational speaker Tony Robbins.

Motivational speaker Tony Robbins.

I was watching a documentary on Netflix the other night. In an opulent Florida hotel’s conference room, a defeated looking stringbean of a boy was sobbing confessions of suicidal ideation into the face of a millionaire weightlifter surrounded by an audience of strangers with whom all he had in common was the $5,000 dollar-wide hole in his pocket. Before soaking-up the boy’s despair, the muscular man – who was so strong, even his vocal chords were audibly ‘pumped’ – sort of Vogued, or did the robot or something, spun around a few times, jumped on a child’s trampoline a couple more for good measure, before ascending a handful of steps , emerging through a curtain to the conference room’s stage and fist-pumping the crowd into a frenzy with some kick ass 90s techno music before roaring a primal scream to the heavens. I mean, it looked and sounded like a roar, but I suppose it could have been a long, drawn-out slow motion guffaw at being the Cat’s Mulberry silk Pyjama’s in a room full of self-affirmed losers paying him for being so great.

Endless Loop: Chains of Love

erasureHave you ever had one of those songs that gets stuck in your head for days…weeks…years? Sure you have. These are the songs that always make the cut. The songs on repeat. We all have them. I have a ton. Welcome back to Endless Loop.

“Chains of Love” by Erasure

The Joup Friday Album: Laurie Anderson – Big Science

Album cover to Big Science by Laurie AndersonWith the post-millennium lovefest surrounding everyone’s rediscovery and love of all things Devo, I’m kind of surprised and disappointed the same critical examination isn’t extending to Laurie Anderson.

“Big Science” was Anderson’s debut on Warner Brothers in 1982, and while she never found mainstream success in the United States, one of the singles, “O Superman (for Massenet),” reached #2 on the U.K. charts.

Avant-garde (read: uncategorizable): It’s not pop, disco, classical, rock, rap, metal, country, or even electronic. Anderson’s velvet alto offers random narration over most of the album tracks, which pogo from dark gothic weirdness to sparse synthesized space proselytizing.

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