Album Review: Polvo ‘Siberia’

Polvo_Siberia_LP_11183Of all the recently reunited 90s Alt Rock outfits, the lesser spotted Polvo stake a more valid claim than most to a second stab at existence, having not really been paid their dues the first time around. Unlike most reunions, Polvo’s wasn’t necessarily fuelled by a groundswell of born again devotees voting with their feet for reappraisal, and it might just be this lack of expectation that has them sounding like no time at all has passed between their demise in 1998 and their reformation a decade later. Despite some deceptively pedestrian Indie distortion slinging, the woozy cephalopodic tremolo and angle grinding of Ash Bowie and Dave Brylawski’s intermingling riffs fray at the ends with non sequiturs that distort the space and time signatures of Brian Quast’s beats and Steve Popson’s humming undercurrent.

Having Your Cake and Hating It: Nirvana ‘In Utero’ 20th Anniversary Super Deluxe Unit Shifter

nirvanaA shotgun hole is so absolute. The vacuum a suicide leaves behind so engulfing, it’s the epitome of ambivalence in its dichotomy of grief and resentment. A disavowal. A denial. The crepuscular introduction of ‘Heart Shaped Box’ heralded summer’s decay on August 30th 1993, through the pregnant fluff-bubble of a cassette tape piped down wires that ran through the cobwebs, pipes, atrophying plaster and laths of the cellar ceiling, up into the kitchen speakers after school as the clouds bruised with the impending deluge. ‘In Utero’ would accompany me on a walkman through the rigor mortis of autumn, to the decidedly funerary flavour of ‘Unplugged in New York’, the snowy satellite TV-taped VHS of which us siblings watched on the bright, crisp, February 1994 morning we interned my mother in the furnace after cancer had turned her black.

Bob Van Persie, ‘One Man – Full House’ Exhibition Private View, Richard Goodall Gallery, Manchester England, September 12th 2013

The thinking behind bringing Bob Van Persie to Manchester for his first show in the UK was presumably motivated by little more than the fact that his son Robin is presently this City’s most celebrated adopted son, after Manchester United’s number 20 unarguably singlehandedly thrust them their 20th League title. This connection is exploited further still tonight as revealed by the restrictions on this private view, tightened to the extent that every VIP invitee is admitted under a couple of strict conditions:

“1. No photography,
2. Don’t ask Robin Van Persie for his autograph.”

lowry-goingtothematch

L.S. Lowry ‘Going To The Match’

Album Review: Andy Kaufman ‘Andy and His Grandmother’.

Image courtesy of Drag City Records

ANDY
(laying it on thick)

We are all gathered here today to
bid one final farewell to Anthony
Sebastian Clifton — who passed
from our midst far too soon. The
world has lost the greatest superstar
of all time … and I … have lost my …best friend.
But grieve not, my brothers, for
Tony need not be forgotten.
Fortunately, he can be remembered
forever … through this magnificent …
(pulls album out from behind podium)
DOUBLE MEMORIAL ALBUM. $18.95!

– Andy Kaufman & Bob Zmuda, ‘The Tony Clifton Story’ unproduced Screenplay, 1st draft 1/1/1980

Joup Interviews: Paul Colilli: Canadian Doctorate, Musician and a Simply Saucer

This intrawebs fascinates me everyday because of the people I come across and what they have done with their lives. Take one Paul Colilli for example whom I had the privilege to interview for Joup. Colilli, recognized in the 70s Canadian Pop Culture with his time with Simply Saucer, boasts a Doctorate Degree in Medieval Italian literature. Now some 40 years after he’s recording music under his self-title. How in the hell did I come across someone like this? I think it’s worth a look-see.


“Hello Chester,

I’m Paul Colilli, a founding member of Simply Saucer…”



Paul, you have my attention.

Does the World Want Superman?

image courtesy of nme.com

image courtesy of nme.com

“In the decade of the 1930s, even the great city of Metropolis was not spared the ravages of the worldwide depression. In times of fear and confusion, the job of informing the public was the responsibility of The Daily Planet, a great metropolitan newspaper whose reputation for clarity and truth had become the symbol for hope in the city of Metropolis…”

Narration of off-screen ‘Boy’, Prologue to ‘Superman: The Movie’ 1978


HIGH IN THE SUNLIT SILENCE

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